About Asar
Asar arrived during the late 2010s variable-font revolution, drawn by Sorkin Type and released as a libre open-source family. It ships with 1 weight or styles, which is a tight, single-purpose package. Like the best serif typefaces, it doesn't try to be invisible.
A serif face — tipped with the small terminal strokes that descend from carved Roman capitals. Serifs anchor long-form reading and bring authority to editorial design. Asar sits squarely in that tradition. The mark of a successful display face is recognizability — a Serif type either has a face you remember or it doesn't, and the question is settled in the first three letters you set in it.
Where does Asar earn its keep? Designers most often reach for it in these contexts:
- Editorial body copy and long-form articles.
- Identity systems and wayfinding.
- Print and web publication design.
Pair Asar with a neutral, structured companion in a contrasting role — display vs. text, serif vs. sans, geometric vs. humanist.
Technically, Asar is supplied with a single weight. The single weight is a constraint worth respecting — pair it with a structured neutral text face rather than try to push it into roles it wasn't drawn for. Provided by Sorkin Type, it is part of an open ecosystem of free display typography that designers can pull into client work, side projects, and editorial experiments without the licensing friction that defined typeface acquisition before the web font era.
If you're building an identity around vintage or retro display lettering, treat Asar the way you'd treat a piece of vintage clothing: it's a powerful single statement, not a uniform. Set it large. Give it air. Resist the temptation to italicize, condense, or otherwise modify it digitally — display faces are drawn to be used at a specific size and color, and forcing them into faux styles is the surest way to make them look cheap.
Live specimen at multiple sizes
Suggested use cases
- Editorial body copy and long-form articles.
- Identity systems and wayfinding.
- Print and web publication design.
Pairing advice
Pair Asar with a neutral, structured companion in a contrasting role — display vs. text, serif vs. sans, geometric vs. humanist.